As always I had a very good conversation with Les about my Assignment 5 image and some of the things I need to complete ready for my submission for assignment.
Flowers – Les suggested that I research the use of flowers in art and photography and consider expanding on my reasons for choosing them, referenced against historical use and meanings associated with flowers. It is ok to do this retrospectively.
Print – Experiment with different sizes of print and make a case for the choice made. A smaller image, may give the viewer the opportunity to look at the image more closely, whilst a larger image, on a wall might allow the viewer more immersive in the space and emphasise the quality.
Meaning – Think about what the elements and symbols included a constructed image might mean to a viewer, particularly in the days of fine art / still life when a lot viewers couldn’t read.
Feedback – Having shown the image to some of my friends and colleagues, Les suggested I consider including a reflection on their reactions. What did they see or not see? What did they think I was trying to communicate? Did it have the impact I had intended?
Audience – consider what I am producing this for. i.e. social media, a gallery, a book. ‘Imagine it in it’s context’. Am I making something pretty for the wall or do I want it have such an impact that is spurs other people into action?
Assignment 4 – Essay – still need to rewrite – flag up what I’ve changed, show that I have listened and evaluated the feedback, flag up what I’m changed and why.
Finish up the blog, write a conclusion / note to the assessor, guide them to the important parts of the blog, assure them that I am learning and progressing.
In preparation for next course Identity and Place, look at some study visits, good opportunity to discuss course with other students, tutors and others with academic and professional knowledge
The audio visual conversations with Les have been the real highlight of the course, it is so good to be able to discuss and debate the thinking behind your work. He has been so good in guiding me to experience other photographers and read and research areas, I wouldn’t have found on my own. He also seems to have a knack of knowing what would interest me. This has helped we push myself and try different things.
I am really pleased with my final image and I really do feel that it reflects a culmination of the course. I feel like the feedback I’ve been given reflects the little extra bits that can I do to make the assignment really good and has helped me think about how to look deeper into the reasons behind what I’ve produced and the message I want give.
I have recently started using the the Cornell note taking method, which I found really useful to make notes during my conversation with Les . The picture above shows the results. I will definitely keep using this, as it really helped organise my notes and made it easier to write them up for this blog
Construct a stand-alone image of your choice. Alternatively, you may choose to make a series, elaborating on the same theme.
As the culminating assignment for the course you may wish to draw upon skills learned from Parts One to Four – using various forms of narrative, using yourself as subject matter, telling stories and reading images. The only stipulation is that you produce work that has been controlled and directed by you for a specific purpose. Remember to create a story with a specific context like the artists you’ve looked at in Part Five. This means you need to have an artistic intention, so a good place to start would be to write down some ideas. This could then form the basis for a 300-word introduction to the piece. You may find it helpful to draw storyboards to help you visualise your ideas.
The aim of this assignment is to use props, costume, models, location, lighting, etc. to contribute to the overall meaning of the image. (Use flash/lights if required but available light is fine as long as it is considered.)
If the narrative is to be set in a different era then the elements of the image must reflect this. Also consider the symbolic meanings of objects and try not to be too literal in your approach. For example, don’t automatically use red roses in a love scene but try to be subtle in your ideas to obtain a more true-to-life scenario.
For this final assignment, you should also include an illustrated evaluation of the process you went through to produce your final image(s). Include snapshots of setting up the work and write about how you felt your direction went, how you found the location, props, etc. How did this process affect the final outcome? Write around 1,000 words in total (including your 300-word introduction).
Send your final image(s) to your tutor, along with your commentary and relevant pages of your learning log (or blog url).
Before you send your work to your tutor, check it against the assessment criteria listed in the introduction to this course and make sure that it meets all the criteria. Make your evaluation available to your tutor.
Reworking your assignment
Following feedback from your tutor, you may wish to rework some of your assignment, especially if you plan to submit your work for formal assessment. If you do this, make sure you reflect on what you’ve done and why in your learning log.
Assignment 5 – Juxtaposition
Juxtaposition: “two things being seen or placed close together with contrasting effect.”
My art, my home, my passion is juxtaposed with the work I do to make a living. This is not about the physical places but focuses on the impact that they have on my health and wellbeing. The bright showy flowers masking the delicate, fragile and dying blooms that are hidden from the light. The contrast of thriving or surviving and the layers of complexity that lie beneath.
This self-absented self-portrait uses the vase of flowers as a surrogate, which dissects the views of two major areas of my life. One side of the vase is bright and fresh and the flowers standing upright in the light whilst, on the other side, the wilting. almost colourless aspects are fading into the darkness. The reflection of the studio within the background combined with the images of my home and work, show how you bring with you all of your experience and feelings into your current reality.
This work is the culmination of this course, drawing on aspects of the previous 4 assignments.
the truth portrayed in images
presenting visually unseen thoughts and emotions
self absented portraiture and using surrogates
constructing an image to tell a story
Influenced by Noemie Goudal’s work in Fictional Spaces which reminded me of my first assignment where I merged images to make a new reality and Meg Bitton’s ‘Pieces of Me’ where she used a screen to form a barrier from the outside world, the backdrop is a piece of perspex that acts as frame for the environmental images but also reflects the reality in the studio.
Remembering my learning point from Assignment 3, where I noted that everything in an image can have a meaning and impact on the viewer and Leah Schrager’s ‘Infinity Selfie’ where she places pictures inside pictures I have carefully considered all of the elements in this image.
I have chosen to present this image as 7 x 5 print on pro luster paper. The reason for this is that it is a very personal piece that is neither for public consumption or a graphic piece that is decoration for a wall such Goudal’s work. The viewer is invited to hold and study the image, this way they will see more of the layers of complexity and that it contains. I tested this out with some friends and family, by printing the image on various types and sizes of paper. Most preferred the smaller sized picture because it was easier to hold and study. I chose the 7 x 5 because it’s small enough to hold, but big enough to see the detail. I chose the pro luster paper because I wanted to retain the bright shine of the lights, which glossy paper gave as well as the texture that the matt paper gave and the worked well.
NB: the ‘blue text’ denotes amendments made after feedback from my tutor
Evaluation of Research, planning and process
The final image is made up of three separate images merged together using Photoshop to create a single image that creates a multi-layered, mirrored and reflected view focusing on the course themes of photographing the unseen and self-portraiture.
The Goring Room
This is one of the meeting rooms at work. My original idea was to use this as the scene for an image describing my feelings of anonymity. I was going to project the image of my home onto the wall to symbolise the warmth and security it gives me to keep going, in what sometimes feels like a cold and faceless corporate environment. Below are the initial sketches/mock-ups I made for this idea:
I did ask some of my work colleagues to help me with this work, but ultimately decided that I didn’t want to involve others in the final piece as I wanted it to be about me, but not of me.
The image of my lounge was made when I was exploring the idea self-portraiture for Assignment 3. Being present in the image but not present. The reflection in the mirror, isn’t a reflection at all, but the same image repeated over and over again. All except one, where I am there, sitting on the sofa:
This idea was inspired by Leah Schrager‘s Infinite Selfie, where she appears to be showing herself to the camera in intimate positions, but the multiple layers of photos, end up showing you very little.
The image of my husband on the monitor is deliberate, as this is an image from Assignment 4 of Expressing Your Vision‘; one which I was very pleased with, but also represents his importance in my life.
In Noemie Goudal’s Fictional Spaces she uses photocopied sheets to create an image which transforms the place and the view. In Meg Bitton’s ‘Pieces of Me‘ she uses a screen to transform the background into a studio and to form a shield from the world. Therefore, in my image I have a used a piece of perspex behind the flowers to act as a window to a couple of my realities but also to reflect the reality of the space I (the flowers) am currently occupying. I do not want to create a different world but explore all of the realities my mind can occupy at one time.
Following Assignment 3, where I used my shoes as a surrogate for myself in my self-portraits, I was encouraged by my tutor to consider why I had chosen that medium. Time and Time again, I come back to my desire to be recognised for my work but not wanting to be shouting from the hilltops, “hey look at me”. Am I scared of failure or more likely people thinking I’m arrogant or pushy, traits in others I do not like!
In this instance I have chosen to use a vase of flowers to represent myself. They are country flowers of different colours, sizes and complexity, representing the multifaceted elements of my personality, interests and skills. They are in a clear glass vase, where the stems can be seen strong and replenished by the water.
Following feedback from my tutor I researched the meanings associated with some of the flowers. I am lucky that my mum was an avid flower arranger, so although not being a gardener myself I do know the names of the flowers:
Flowers have been used as symbols in art for hundreds of years, not only do they are beauty and colour to images, but they have they had secret meanings that the viewer could use to read deeper meaning into the picture. I didn’t consciously choose specific flowers to do this, but having done a bit of research, it seems that if viewers are aware of these symbols, then I my choice of flowers does echo the story I am trying to tell:
The Alstroemeria, (also called Peruvian Lily), the wilted flowers on the left of the image, are symbolise devotion and friendship. It is also a symbol of wealth, fortune and prosperity. If well taken care of, Alstroemeria can be very, very long lasting! Inadvertently, this sits well with the image and one could say it represents that even the long lasting resilience I have is wilting in the face of the lack of nourishment I am getting from my role. It is also the primary source of my income (i.e. wealth and prosperity) which could definitely be better.
The pink flowers on the right are also Alstroemeria, which I think gives a great contrast to the white ones on the white. perhaps the message is that my wealth and prosperity is found in the love I have in my home life and this is long lasting and resilient.
Daisieshave numerous meanings in different cultures, but mostly seem to symbolise purity, innocence and true love. As they are standing between the Alstoemeria and are standing straight and tall, perhaps they are representing the love I draw from my family, especially my grandchildren who bring joy through their innocence.
Blimey who’d have thought a few flowers in a vase could add such extra depth to the meaning of the image. The learning here is that especially in a constructed image such as this, everything in the image could denote or connote something different to the viewer. If I was doing this project again, I might think more carefully about the flowers that I chose.
The vase is flanked by my work ID card on the left and in the dark and by the little heart shaped light on the right which warms and lights up the flowers.
Before setting up the shot, I sketched out the idea for the end result, as can been seen below. This made it much simpler to set up as I already knew what outcome I wanted to achieve.
The flower vase shots were taken in my back bedroom, which was set up as a studio. As per the sketch above, I did start with a chair, but found there was too much of a shadow on the back of the chair, so changed it to a table instead.
The images were taken with a Nikon D810 on a tripod, with a speedlight fitted with a small dish and honeycomb to reduce the spread of the light and focus it on the flowers. A small torch with a blue gel on, provided the blue light on the left hand side of the image. This was clamped to a black reflector to reduce the reflective light from the flash on that side. Settings, 24 mm, f/8, ISO 100, 15 sec exposure. I used the flash on rear curtain flash just to add fill flash at the end and used ambient lighting for the majority of the image in order to create the right low light mood.
The Contact Sheets for this session can be seen here.
The image of The Goring Room, was captured on a Fujifilm T20, settings 22.3 mm, f/6.4, ISO 400, 1/60 sec
The image of My Lounge, was taken with the Nikon D810, using a remote control, so I wasn’t in the images, except for the one on the sofa.
All images were edited using Adobe Lightroom and Photoshop.
The final image was constructed with Photoshop, using the three main images, a number of adjustment layers and overlays to add extra texture and colour to certain sections of the image. These can been seen in the image below:
As an entirely constructed image, I am conscious that the viewer will be aware that every element of the image will have been included for a reason and as such, I hope that I have portrayed their meaning clearly. The colour grading was influenced by Christopher Doyle’s work which I came across in Expressing Your Vision and the low key look gives it a vieweristic feel.
Unlike in Assignment 1, where I wanted the viewer to have to decide which was the real view or not, in this image I wanted the viewer to know that this was a constructed image, but see that there are tangible elements of reality within it. That’s why I left the stand holding the perspex and the lighting dish visible and the images of The Goring Room and My Lounge are bounded within it. It wasn’t immediately apparent what connection the Goring room was to me, therefore, I added the work ID badge, in the hope that viewers would make that connection.
In the original image there was no light in window of the dark side, however, a few days after completing it, something happened at work that gave me hope and motivation that things will get better, so I added the light to represent that hope, it also helps with taking the viewer’s eyes to that part of the image.
Overall I am very pleased with the outcome of this image. It has taken quite a while to develop it, think it through and complete it. It is a culmination of this course and all of the ideas and thinking it has provoked. I believe that I have visualised my innermost thoughts in a way that I could not explain in words. I also think that it is an image of its time, as my feelings and thoughts change over time, I suspect I would not make this image again.
This course has caused me to dig deep into my motivations and my image making and I feel a little more weighed down by it every day. They say that everyone has a book inside them. I’d like to think my ‘book’ is a series of images.
My reflections following the feedback tutorial with my tutor can be read here.
Demonstration of technical and visual skills
Demonstrated through the composition of the image. As a whole constructed image, I have had to consider composition and content from the very beginning of the work. I have used various technical skills to complete this project such as:
Technical Knolwedge of different cameras and how to achieve the desired shot
Materials: using the correct Studio lighting: including use of flash triggers, honeycomb modifier, gels and reducing reflective lighting and how to change it to get the effect required.
Understanding that light can enhance the image and visual awareness to modify and improve where it needs enhancement.
Editing skills, using Lightroom and Photoshop to design and create the composition visualised, including the use of layers, adjustments, overlays, cropping and colour grading.
Quality of outcome
Application of knowledge: using the ideas, exercises and theoretical tools presented within this course to conceptualise and communicate my thoughts through this image.
Work presented in a coherent manner highlighting the influences and discernment made in creating this composition.
Demonstration of Creativity
Creativity demonstrated through, experimentation with various thoughts and options
Invention of one image, using multiple images
incorporating colour grading and techniques such as pictures within pictures inspired by research and reading about other artists.
Clear explanation of my work and final image
links and references to research and ideas
self-reflection and evaluation of the outcome
evidence in critical thinking from evaluation of the other artists work and theories that have shaped this image.
The conversation with Les about this essay was both long and animated. He was really concerned about one of the elements in the image which I had not mentioned, but really was a ‘punctum’ for him.
It relates to the fact that the model is posed in way that she is pulling her dress up revealing her leg, which is bent. The model is dressed in a what Victorian style dress which makes her look like a young girl rather than an adult woman. which I believe was the photographer’s intention. for Les however, because the girl is posed in this way he said it had sexual connotations which really disturbed him. It did not have these connotations for myself.
What was interesting is that before submitting my essay, I had asked my husband and a male work colleague to look at the image and my essay to gain some feedback, both of them also raised the issue of the raised dress showing the bare leg.
Following the conversation with Les, I asked a female work colleague to read the essay and found that she also did not pick up on this as something that she found uncomfortable.
On further discussion with the two men who had previously read the essay, they reflected that although the model is probably over 18, the way she is dressed makes her appear much younger and seeing her posed in what they saw as sexual pose made them feel very uncomfortable. Therefore, I can only conclude that I did not see this as a problem because I did not see the sexual connotations with the model. As a mother of girls who would stand like that, I suppose I saw it quite innocently.
So the question here really, is did the photographer direct the model to stand in this way because she did understand the reaction a man would have to this pose? Did she deliberately pose her to illicit that reaction in male viewers?
This is something I can’t directly answer, but I am aware that she has used this pose for other images as well.
I also know that in most of her portrait photography teaching, she advocates ‘if it bends, bend it’. Therefore, she may merely feel it was a more flattering pose. The truth is I don’t know.
What I have learned though, is that in a completely constructed image such as this one, one should question every element as to why the photographer has chosen to pose the model in this way
and also that Les’s experience with his own image ‘Alice’ and the subsequent ethical dilemma it left with the publishers and himself have really impacted on the way he now views photos.
This can been seen here, where he took a photo of a young girl dressing up in pink shoes was seen in a totally different light by the commissioners of the photos who saw connotations to child prostitution and exploitation.
Bates says ” these meanings change, according to the frame of thoughts and culture that the viewer brings to the picture” . . .
Les also comments in his feedback; that I should include a ‘punctum’. This I have actually done in my comments about the red light. I think he missed it because his own punctum wasn’t the same as mine.
I think it would be simpler to “say what you see”, then ask what each detail and the whole makes you think of. David Bate’s Key Concepts is good for this
I thought I’d done this so, I guess that’s not how it read, maybe using the PEEL tool, wasn’t quite right for this, my understanding from Les here is that it would be better to first describe the image and then try to link that to the connotations and intentions.
I have now downloaded Key Concepts by David Bates so will see what insight this can give to structuring my writing.
Brief: Write an essay of 1,000 words on an image of your choice. The image can be anything you like, from a famous art photograph to a family snapshot, but please make sure that your chosen image has scope for you to make a rigorous and critical analysis.
If you choose a well-known photograph, take time to research its context – the intentions of the photographer, why it was taken, whether it’s part of a series, etc. Add all this information into your essay to enable you to draw a conclusion from your own interpretation of the facts.
If you choose to use a found photograph, a picture from your own collection, or perhaps one from an old family archive, use it as an opportunity to find out something new. Avoid telling us about that particular holiday or memory – look directly to the photograph for the information. It may be interesting to compare and contrast your memory with the information you’re now seeing anew from ‘reading’ the picture so intensely.
It’s not enough to write an entirely descriptive or historical account of your chosen image. You must use the facts as a means to draw your own conclusions about what the picture means to you. You may wish to apply what you’ve learned in Part Four regarding translation, interpretation, connotation, signs, punctum, etc., but be sure you get the definitions correct.
There are many good examples of writing about single images (e.g. Sophie Howarth’s Singular Images), which you may find helpful to read before attempting your own. Take note of the level of critical analysis and aim for a similar approach in your own writing. You may write about personal connections but ensure you express yourself in a formally analytical and reflective manner.
Follow thought associations and other images that relate to the discussion, directly or indirectly. Look at the broader context of the image and its background and specific narrative as well as your personal interpretation of it and what thoughts it triggers for you. Follow these associations in a thoughtful and formal way. Allow yourself to enjoy the process!
Send your essay to your tutor, together with the relevant pages of your learning log or blog url.
Don’t forget to check your work against the assessment criteria listed in the introduction to this course guide. Include your evaluation in your assignment submission.
I decided to write my essay about the image ‘pieces of me’ by Meg Bitton. Having emailed the photographer for permission to publish her image on this blog, and not having had a full response, I have chosen to created a passworded page to display the essay.
I have organised the essay around the theoretical tools for reading photographs described by Derrida and Barthes
Once I had decided on the image I wanted to review, I did some research on the photographer, in order to be able to add some background and context to the essay.
As the photographer and this work is current, I emailed the photographer for her permission to publish the image in this blog. As I am still awaiting a response, I decided to go ahead with the essay, but have passworded the page so it is not publicly visible.
Pre-tutor feedback Reflections
When I first read that I had to write an essay, I have to admit, I thought it might be a bit boring. However, I have really enjoyed the process. Spending the time to really look at an image in detail was really interesting and it’s amazing how many extra things you see, when you actually spend time looking. I also found researching the photographer very helpful. Although I have been following her work for a while, researching her history and other work, really helped put the image in context and added to the level of understanding and possible meaning she was trying to convey.
Using the PEEL method to organise the paragraphs, really helped me focus on the points I wanted to make and stopped me going off at a tangent. Something that was really useful when you only have a limited number of words.
Assessment criteria points
Demonstration of technical and visual skills – Materials, techniques, observational skills, visual awareness, design and compositional skills. (40%)
Visual skills were needed in this assignment in order to study the image and identify the signifiers and signs that help you read the image. Knowledge of composition skills also helped to give insight into the photographers intentions.
Quality of outcome – Content, application of knowledge, presentation of work in a coherent manner, discernment, conceptualisation of thoughts, communication of ideas. (20%)
In this assignment, I have displayed quality of outcome, by producing a coherent essay, where I have presented my analysis in a logical and reasoned manner. Drawing conclusions using the theoretical ways of seeing presented in the course.
Demonstration of creativity – Imagination, experimentation, invention. (20%)
For Assignment 4, the demonstration of creativity has been demonstrated in the reading of the image. Starting with imagining the meaning of the image, but then evidencing those thoughts in an rational and systematic way.
In order to complete this assignment, critical thinking, research and reflection have been really important to interpret the ideas that the image has connoted and being able to present them in a formally analytical and reflective manner. I have used a recognised writing tool; PEEL, to focus the essay and reflected on the result.
Deconstructions – Derrida – to fully understand how something has been made, you have to take it apart before you can put it back together. don’t take things at face value be prepared to delve deeper and be opening to alternative meaning.
Semiotics – Barthes – the study of signs and language
SIGN = SIGNIFIER + SIGNIFIED
The signifier is the element in the photograph that signified what we think we are seeing or feeling in an image. Together they are the sign that contributes to the overall effect of the photograph
Denotation – states the facts, the literal translation of an object, the accepted version of what something is. ie there is bucket in the picture, it holds water.
Connotation – interpretation of the facts, (open to our experiences, knowledge and preconceptions of what that object could mean on an practical or metaphorical level). ie. the bucket holding water could be interpreted as life giving drink, or a means to clean yourself. This is a more personal take on the element.
Studium – another term coined by Barthes in his book ‘Camera Lucida: Reflections on Photography’. to describe the general status quo of an image. The studium is the photograph’s cultural, political and social meaning. By this he means the overall feel of the image that places it in a comfortable, understandable space for us as the viewer.
Punctum – as opposed to Studium, punctum is an element in an image that ‘punctures’ the meaning. It the thing that doesn’t fit or draws our attention to it. It’s the element we are viewers are drawn to that makes the image more interesting and creates a connection.
Intertextuality – the individual background, education and experiences that you bring to your interpretation of an image that you view. Each person will read a photograph and bring it to life in a different way. Barthes says that sharing these readings with others will also enrich the experience and the understanding of the meaning.
This set presented me with quite a challenge and having made a conscious decision to try and get away from the ‘stock’ type of images I created in Assignment 2, I was actually worried, Les would thing they were a bit boring. (or maybe that was just because they were about me!)
I was pleased that he thought they work as a set and were held together by the concept as well as the colour tones and light. This is something I had thought about so was glad it was noticed. I must remember to include these decisions in my write up of the assignments.
One thing that intrigued me, was that Les said that my photos actually gave viewers more of an insight into my spaces than they would ordinarily see. However, by placing the legs in the image it formed a barrier to them seeing it all. I found this a very interesting point of view and I had seen them as a lead into my life. So the fact that he saw them as a barrier gave me pause for thought around how much I allow people into my life.
The other point that made me think was the point that I had obviously set up and posed the images in order to take them of myself. However, as a viewer we accept them as a ‘real’ captures of my life. I think that’s what his comment about smartphone images refers to in his feedback. I had wanted to create a more ‘real’ type of image in this set as opposed to the last assignment, so I am satisfied that I achieved this.
Les suggested I look up a photographer call Leah Schrager, as he felt that the image with me looking at the screen reminded him of her work.
In her series 'Infinity Selfie'; Schrager is places a picture within a picture which is reminiscent of my picture on the screen of the computer. In my case this was a happy accident, as I had been checking my first attempt at the image when I took that image. I didn't notice the screen until after I'd taken the picture. This is a learning point for me for Assignment 4 & 5 and remembering that everything in an image can have a meaning and impact for the viewer.
We discussed the image with the red boots and agreed that it didn’t need to text, so I have removed it and uploaded it to my Instagram feed. This has changed the order of the images, so I wondered if this will change the impact of the set? Actually I think it works better with the placement of the boots as the first picture and the blue shoes in the last image it looks like bookends for the set.
we discussed assignments 4 & 5. He suggested that I pick an image for A4 that might link to something I’m interested in that will lead into A5. Therefore, I have read both assignments to get a sense of what I might need to do next.
All in all I am relatively pleased with the outcome of this assignment.
It has taken me a long time from making these images to finalising the assignment for submission. I’m not sure if I really don’t want to have to put myself in the picture, or I wasn’t happy with the concept. Eventually though, I came to the conclusion that if I don’t submit the assignment and get feedback from my tutor, I’ll never improve them and probably won’t finish the course!!
In actual fact, I do like the set, it’s new thinking for me and very different to the two pieces of work I’ve already submitted, so in that respect it is a success.
Demonstration of technical and visual skills
In this assignment, I have used a variety of technical and compositional skills to capture the images. I wanted to show the shoes in the context in which I use them, so this required me to plan the shots for each pair of shoes and consider how best to compose them.
Images 1, 3, 5 & 9 were taken using a camera on an tripod with a timer and / or a remote control.
Images 2, 4, 8 & 10, are taken from my point of view
Images 2 & 4 are taken with an apple iphone, whilst the remainder were taken with a Nikon D810 dslr camera. I have edited them in a way that means it’s not obvious.
The images were all taken in a 2×3 format and have been cropped to a square format in photoshop.
I created a 3 x4 template in photoshop to mock up how the images would look on Instagram and had to remember to post them in reverse order, to achieve the layout I wanted.
A new Instagram account was created in order to display this work.
Quality of outcome
As I always intended for this set of images to be presented in a digital format on social media, I used my knowledge of the Instagram App to present the work in a way that I felt best displayed them as a set. The composition of each image was considered as an individual as well as part of the set. I am very happy with the subtle toning of the images and feel they work well as a set.
Demonstration of Creativity
My aim was to create a set of images that said something about myself, without giving away the whole story. Having reviewed other student’s responses to the brief, I feel that I have found an innovative and creative response. I do think I could expand on this and may continue to add images to the thread, ready for the final assessment. I haven’t yet explored other times of the day or even other seasons, when I may well wear different shoes, so this could add more to the story.
I have also shown creativity in the composition of the images, making the shoes the main focus of the image in some and incidental in others. I have also tried to vary the viewpoint and ensure that each image adds something new to the story.
I have researched a number of photographers for this work, with particular interest in Eva Strenham’s idea of hiding part of the person in the portrait in order to make the viewer have to look at in more detail to make out what is happening. My images do tell a story, but are not particularly intimate, in the way that Elinor Carruci’s are. This issomething I would like to consider emulating in the future.
In posting them on Instgram, I am putting a bit of myself out there and also giving others the opportunity to comment. A fact I am both reticent and excited about!!
Although I am now waiting for Les’s feedback, at this point I am happy with the outcome of this work overall and what I have learned in making it.