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Debra Flynn – Context and Narrative

BA (Hons) Photography Learning Log

  • Home
  • About
  • Course Work
    • Part 1 – The photograph as a document
    • Part 2 – Narrative
    • Part 3 – Putting yourself in the picture
    • Part 4 – Reading photographs
    • Part 5 – Constructed realities and the fabricated image
    • Assessment Criteria
    • Research List
  • Assignments
    • Assignment one
      • Assignment 1 – Two Sides to the Story
      • Assignment 1 – Technical Information Sheet
      • Assignment 1 – Contact Sheets
      • Assignment 1 – Two sides of the Story – Ideas and Planning (i)
      • Assignment 1 – Two sides of the Story – Ideas and Planning
      • Assignment 1 – Two sides to the Story – Research
    • Assignment two
      • Assignment 2 – Photographing the Unseen
      • Assignment 2 – Contextualise your work with historical and contemporary practitioners:
      • Assignment 2 – Photographing the Unseen – Item 2
      • Assignment 2 – Photographing the Unseen – Item 1
      • Assignment 2 – Photographing the Unseen – methodology for assignment
      • Assignment 2 – Photographing the Unseen – ideas, planning and research
      • Assignment 2 – Feedback and Reflection
    • Assignment three
      • Assignment 3 – Self Portrait – Shoes
      • Assignment 3 – contact sheets
      • Assignment 3 – Self Portrait – ideas and research
      • Assignment 3 – pre-feedback reflections
      • Assignment 3 – Shoes – Tutor Feedback and Reflection
    • Assignment four
      • Assignment 4 – “A picture is worth a thousand words”
      • Assignment 4 – “A picture is worth a thousand words” – Reflections/Assessment
      • Assignment No 4 – Post Tutor Feedback Reflection
    • Assignment five
      • Assignment 5 – Juxtaposition
      • Assignment 5 – Contact Sheets
      • Assignment 5 – Post Tutor Feedback reflections
  • Final Assignments
    • Assignment 1 – Two Sides to the Story
    • Assignment 2 – Photographing the Unseen
    • Assignment 3 – Putting Yourself in the Picture – Shoes
    • Assignment 4 – “A picture is worth a thousand words”
    • Assignment 5 – Juxtaposition
  • Learning Log
    • Self Reflection
    • Research
    • Photographers and Artists
Posted on 13th January 2019 by Debra Flynn

Reading and Links

I came across this article when researching Robert Frank’s Americans

Robert Frank – The American – https://www.smithsonianmag.com/videos/category/arts-culture/inside-robert-franks-the-americans/

Experimental Relationship https://www.lensculture.com/articles/yijun-liao-experimental-relationship-2   

https://www.lensculture.com/articles/oleg-tolstoy-who-s-driving-tokyo

https://www.lensculture.com/2018-lensculture-street-photography-award-winners

Postmodernism / Modernism

https://www.tate.org.uk/art/art-terms/p/postmodernism

CategoriesLearning Log, Part 2 - Narrative, Project 1 - Telling a story, Project 2 - Image and text, Research

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This is Debra Flynn’s (ID 517222) learning log for the OCA’s BA (Hons) Photography Course.

Photography 1: Context and Narrative

Other Courses:

Photography 1 – Expressing Your Vision

Categories

  • Assessment Criteria
    • Context
    • Demonstration of creativity
    • Demonstration of technical and visual skills
    • Quality of outcome
  • Assignments
    • Assignment five
    • Assignment four
    • Assignment one
    • Assignment three
    • Assignment two
  • Learning Log
    • Photographers and Artists
    • Research
    • Self Reflection
  • Part 1 – The photograph as a document
    • Project 1 – Eyewitnesses?
    • Project 3 – Reportage
    • Project 4 – The gallery wall – documentary as art
    • Project 5 – The manipulated image
  • Part 2 – Narrative
    • Project 1 – Telling a story
    • Project 2 – Image and text
  • Part 3 – Putting yourself in the picture
    • Project 1 – Autobiographical self-portraiture
    • Project 2 – Masquerades
    • Project 3 – Self-absented portraiture
  • Part 4 – Reading photographs
    • Project 1 – The language of photography
    • Project 2 – Reading pictures
  • Part 5 – Constructed realities and the fabricated image
    • Project 1 – setting the scene
    • Project 2 – The archive

Photographers and Artists

  • Abigail Solomon-Godeau
  • Briony Campbell
  • Chris Dorley-Brown
  • Christopher Doyle
  • Cindy Sherman
  • David Bates
  • David Campany
  • Dorothea Lange
  • Elinor Carruci
  • Elliot Erwitt
  • Erik Kessels
  • Eugene Atget
  • Eva Stenram
  • Francesca Woodman
  • Gillian Wearing
  • Gregory Crewdson
  • Guy Bourdin
  • Jacques Derrida
  • Joel Meyerowitz
  • Joel Sternfeld
  • John Szarkowski
  • Judith Williamson
  • Karen Barad
  • Leah Schrager
  • Lewis Hine
  • Martha Rosler
  • Martin Parr
  • Martin Scorsese
  • Meg Bitton
  • Nan Golding
  • Nicky Bird
  • Nikki S. Lee
  • Noemie Goudal
  • Paul Graham
  • Paul Seawright
  • Phillyda Barlow
  • Robert Frank
  • Roger Fenton
  • Roland Bathes
  • Sarah Pickering
  • Stephen Bull
  • Susan Sontag
  • Trish Morrissey
  • W. Eugene Smith
  • Walter Benjamin

Archives

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