Self Reflection

I have tended to add my personal reflections about how the course is going and what I am learning into posts as I am learning about new concepts or photographers.  However, I understand that when my work is assessed at the end of the course, the assessor will be looking for evidence that I have developed and learned during the course.

thinking time

So this section will be a ‘dear diary’ section to log my personal journey through the course

Project 2 – Lens Work – thoughts

My thoughts about deep and shallow depths of field:

here are some of my own images which demonstrate use of different depths of field.

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Long Furlong, April 2017

24mm f/22, 1/100 sec, ISO100 – came across this view whilst driving between Rustington and Findon.  Reminded me of the Windows default screen and stopped to take this photo. I agree that the small f stop and wide angle do work well for this kind of landscape. However, the notion that by having everything in focus, the view can choose where to look and focus within the scene seems a little mute!  Afterall, as the photographer, haven’t we already chosen where we want our views to look.  In most cases we will have edited the image as well, thereby, enhancing the characteristics we want to promote.  Admittedly, one does have the option to roam around with the image and look at different elements within it. Perhaps that what Bazin means:

(Bazin (1948) quoted in Thompson & Bordwell, 2007)

I think that possibly, I like directing the viewers eyes to what I think is important, because it’s probably why I took the photo in the first place.

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Poppies, Brighton, June 2017

These other photos are more my normal style, using a shallower depth of field, or in the case of the woodpecker, the use of the zoom lens, because the subject is not close, which almost forces the background to be out of focus.

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Greater Spotted Woodpecker, Millers Wood, April 2017

In this autumn leaves photograph I wanted to focus in on the leaves, but I love the colour contrasts between the leaves and the background and with the very shallow depth of field it gives a very abstract look

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Autumn Leaves, Hotham Park, November 2016

Assignment 1 – Tutor Feedback and Reflection

View Tutor Feedback

Reflection:

In general I was really pleased with the feedback I received from my first assignment.

What went well:

My tutor felt that I had prepared well, but allowed myself to be open to the experience and serendipity.  I have photographed this area on many occasions before, but I do feel that I went with a view that I wanted to learn something new.  Although, I do feel I have taken better images at other times, I do think I was looking at it with new eyes in trying to answer this brief.  For me the learning point here, is that even familiar places and things and always reveal something new if look in a different way.

I do think that I consider composition when I’m taking photos, so was pleased that he felt that I showed compositional abilities and an ability to ‘choose my moment’.  However, having just completed Exercise 1.2, placing ‘the point’ in different positions and seeing how that relates to the frame has already made me think I would like to challenge myself compositionally as I tend to stick to rule of thirds and triangles.

What could be improved:

My tutor felt that by naming the images, I was directing the viewer what to think.  Particularly the one I called ‘Stage ride by’ which he found distracting as he didn’t know what it meant.  I realised that locals know that there are two white structures by the side of beach, one of which is called ‘the stage by the sea’, but of course it isn’t obvious without the explanation so I agree that this was misleading and a distraction.

One of the photos was underexposed slightly and therefore looked out of kilter with the rest of the set.

and finally, he felt that the photos would be better represented if I showed them as full size individual photos.

Actions to take:

  • amend assignment blog to:
    • remove names on the final photos and replace with numbers
    • display as images as individual pictures.
    • re-edit image 7
  • makes sure that course work is on learning log
  • follow up the research points in notes
  • review reading list and consider buying some of the titles
  • print final images ready for assessment at the end of the module.

 

 

 

Getting Started

Starting to take a look through the material and get a feel for what’s going to be required of me.  I’m both excited and daunted at the same time!!
An extract from my course book, which I think would be great to keep for later use.
Course aims and outcomes 
Please take a moment to read through the aims and outcomes for this course. The aims and outcomes are mapped to the assessment criteria and we’ll be reflecting back on them at the beginning of Part Five.
The course aims to:
  • enable you to begin using technical and visual skills appropriately
  • enable you to produce practical work which uses the above understanding and  demonstrates skills of personal engagement, enquiry, imagination and experimentation
  • develop your understanding of contemporary and historical approaches he  photography
  • introduce critical analysis and self-appraisal of ideas, processes and outcomes.
On successful completion of the course you’ll be able to:
  • create images that demonstrate a practical and conceptual understanding of how to  apply techniques and visual skills
  • show initial ability in translating ideas into personal imagery • conduct a procedure of research, development and production in relation to the course themes
  • begin to reflect on the various levels of meaning in your own and others’ photography.
Even if you don’t intend to submit your work for formal assessment, it’s useful to take on board these outcomes to support your learning and use as a means of self-assessment. You can check your progress against the learning outcomes in your learning log when you review your progress against each assignment
References:
(this is my attempt at trying to write a reference correctly, not sure if it’s right yet)
Bloomfield et al (2017), Photography 1, Expressing you vision, OCA