{"id":577,"date":"2021-02-06T16:02:48","date_gmt":"2021-02-06T16:02:48","guid":{"rendered":"http:\/\/debraflynnphotography.co.uk\/OCA\/identityandplace\/?p=577"},"modified":"2021-02-06T16:04:17","modified_gmt":"2021-02-06T16:04:17","slug":"part-3-mirrors-and-windows-introduction","status":"publish","type":"post","link":"https:\/\/debraflynnphotography.co.uk\/OCA\/identityandplace\/2021\/02\/06\/part-3-mirrors-and-windows-introduction\/","title":{"rendered":"Part 3 &#8211; Mirrors and Windows &#8211; Introduction"},"content":{"rendered":"\n<blockquote class=\"wp-block-quote is-style-default is-layout-flow wp-block-quote-is-layout-flow\"><p><span class=\"has-inline-color has-vivid-cyan-blue-color\">. . . but in terms of their conceptions of what a photograph is: is it a mirror, reflecting a portrait  of the artist who made it, or a window, through which one might better know the world?\u201d<\/span><\/p><cite>John Szarkowski (1978)<\/cite><\/blockquote>\n\n\n\n<p><\/p>\n\n\n\n<p>The concept of Mirrors and windows is basically about either the image acting as a mirror and reflecting something back about the author in what she has chosen to photograph or a window such as a news image which tells something that is happening in another place and time or perhaps a documentary series based on a specific culture.<\/p>\n\n\n\n<p>In the example: Tina Barney&#8217;s work could act as both because she is photographing us a window into another culture different from our own.  However, this series is also a mirror, as she is photographing her own family and friends, therefore mirroring herself in the images.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/debraflynnphotography.co.uk\/OCA\/identityandplace\/wp-content\/uploads\/sites\/4\/2021\/02\/Tina-Barney.jpg\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"551\" src=\"https:\/\/debraflynnphotography.co.uk\/OCA\/identityandplace\/wp-content\/uploads\/sites\/4\/2021\/02\/Tina-Barney-1024x551.jpg\" alt=\"\" class=\"wp-image-578\" srcset=\"https:\/\/debraflynnphotography.co.uk\/OCA\/identityandplace\/wp-content\/uploads\/sites\/4\/2021\/02\/Tina-Barney-1024x551.jpg 1024w, https:\/\/debraflynnphotography.co.uk\/OCA\/identityandplace\/wp-content\/uploads\/sites\/4\/2021\/02\/Tina-Barney-300x161.jpg 300w, https:\/\/debraflynnphotography.co.uk\/OCA\/identityandplace\/wp-content\/uploads\/sites\/4\/2021\/02\/Tina-Barney-768x413.jpg 768w, https:\/\/debraflynnphotography.co.uk\/OCA\/identityandplace\/wp-content\/uploads\/sites\/4\/2021\/02\/Tina-Barney-1536x826.jpg 1536w, https:\/\/debraflynnphotography.co.uk\/OCA\/identityandplace\/wp-content\/uploads\/sites\/4\/2021\/02\/Tina-Barney-2048x1102.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption>google search for Tina Barney, upper class people in Manhattan<\/figcaption><\/figure>\n\n\n\n<p>It is argued that &#8220;every picture is a self-portrait, or that the cameral looks both ways, meaning that by taking a certain photograph in a particular way you are automatically saying something about who you are.&#8221;<\/p>\n\n\n\n<p>Part 3 is going to define these terms from the point of view of the photographer. That is, if the photographer is an insider, we\u2019ll frame it as a mirror; if they\u2019re outside looking in, we\u2019ll frame it as a window. <\/p>\n\n\n\n<p>You may wish to <strong>challenge these notions<\/strong> in your responses to exercises and assignments. That\u2019s fine, as long as you use <strong>effective strategies<\/strong> and <strong>critical analysis<\/strong> to back up your point and give reasons for your methods and intentions.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>. . . but in terms of their conceptions of what a photograph is: is it a mirror, reflecting a<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[36],"tags":[127],"class_list":["post-577","post","type-post","status-publish","format-standard","hentry","category-part-three-mirrors-and-windows","tag-tina-barney"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/debraflynnphotography.co.uk\/OCA\/identityandplace\/wp-json\/wp\/v2\/posts\/577","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/debraflynnphotography.co.uk\/OCA\/identityandplace\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/debraflynnphotography.co.uk\/OCA\/identityandplace\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/debraflynnphotography.co.uk\/OCA\/identityandplace\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/debraflynnphotography.co.uk\/OCA\/identityandplace\/wp-json\/wp\/v2\/comments?post=577"}],"version-history":[{"count":4,"href":"https:\/\/debraflynnphotography.co.uk\/OCA\/identityandplace\/wp-json\/wp\/v2\/posts\/577\/revisions"}],"predecessor-version":[{"id":582,"href":"https:\/\/debraflynnphotography.co.uk\/OCA\/identityandplace\/wp-json\/wp\/v2\/posts\/577\/revisions\/582"}],"wp:attachment":[{"href":"https:\/\/debraflynnphotography.co.uk\/OCA\/identityandplace\/wp-json\/wp\/v2\/media?parent=577"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/debraflynnphotography.co.uk\/OCA\/identityandplace\/wp-json\/wp\/v2\/categories?post=577"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/debraflynnphotography.co.uk\/OCA\/identityandplace\/wp-json\/wp\/v2\/tags?post=577"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}