{"id":220,"date":"2020-06-06T16:11:25","date_gmt":"2020-06-06T15:11:25","guid":{"rendered":"http:\/\/debraflynnphotography.co.uk\/OCA\/identityandplace\/?p=220"},"modified":"2020-06-11T16:15:03","modified_gmt":"2020-06-11T15:15:03","slug":"background-as-context","status":"publish","type":"post","link":"https:\/\/debraflynnphotography.co.uk\/OCA\/identityandplace\/2020\/06\/06\/background-as-context\/","title":{"rendered":"Background as context"},"content":{"rendered":"\n

Project 2: Typologies – Exercise 2, pg 41<\/h3>\n\n\n\n

August Sander (1876 – 1964)<\/p>\n\n\n\n

Study Sander\u2019s portraits in very close detail, making notes as you go.
Look at how his subjects are positioned in relation to each other or their
environment. Are they facing the camera or looking away? What, if any, props
does Sander use? <\/em><\/p>\n\n\n\n

Do these props seem relevant or are they strange? What
physical stance does the subject adopt?<\/em><\/p>\n\n\n\n

\"\"
August Sander – google search<\/figcaption><\/figure>\n\n\n\n

August Sander was a German photographer who’s most prominent work was made between the two world wars (1918 – 1939), but continued all of his life. His notable work ‘  People of the 20th Century<\/em> sought to document the people of Germany during this period. dividing them into seven distinct groups: \u2018The Farmer\u2019, \u2018The Skilled Tradesman\u2019, \u2018The Woman\u2019, \u2018Classes and Professions\u2019, \u2018The Artists\u2019, \u2018The City\u2019 and \u2018The Last People\u2019. (Tate, \u201cFive Things to Know: August Sander \u2013 List | Tate\u201d)<\/em>.<\/p>\n\n\n\n

The exercise above asks us to look at the his images in close detail and note the use of the ‘five elements model<\/a>‘ described by David Bate. However, it is also worth noting that Sander continued to use a large format camera even after the smaller Leica’s became available, as he felt that they gave a better detail of the faces. Because of the slowness of the image making, this of course may have influenced the poses and facial expressions of the sitter.<\/p>\n\n\n\n

My observations:<\/h4>\n\n\n\n
  • in most images the subjects are straight on to the camera with their feet apart.<\/li>
  • the sitters are looking directly at the camera<\/li>
  • multiple people are lined up in a flat row with their hands by there side. This may because of depth of field being used and \/ or the use of the large format camera.<\/li>
  • the depth of field is shallow enough to allow some blurring of the background, but not so much that you can’t see where the person is. It does give an element of separation. (perhaps f\/34 or f\/5.6?)<\/li>
  • photographs of the trades people utilise props, usually the tools of their trade, where as the middle class portraits tend to have less props and more environmental backgrounds.<\/li>
  • Props are either held or shown, rather than being used.<\/li>
  • the majority of subjects are photographed full length or cut off at the legs.<\/li>
  • the images of the circus workers and artists have more relaxed poses.<\/li><\/ul>\n\n\n\n

    I believe Sander is considered important because before this, ordinary everyday people were not photographed in this way and it now leaves us with a wealth of information about how people live, dressed and working in those days. In these days of selfies, people really don’t consider the context of the image!<\/p>\n\n\n\n

    References:<\/h4>\n\n\n\n
    • \u201cAugust Sander | Artnet.\u201d Www.Artnet.Com<\/em>, ww.artnet.com\/artists\/august-sander\/. <\/li>
    • Baker, Rob. \u201cThe Extraordinary Photos of German Photographer August Sander – Flashbak.\u201d Flashbak<\/em>, 30 Jan. 2019, flashbak.com\/the-extraordinary-photos-of-german-photographer-august-sander-410620\/. Accessed 6 June 2020. <\/li>
    • Tate. \u201cFive Things to Know: August Sander \u2013 List | Tate.\u201d Tate<\/em>, 2017, www.tate.org.uk\/art\/artists\/august-sander-5319\/lists\/five-things-know-august-sander. Accessed 6 June 2020. <\/li>
    • Wikipedia Contributors. \u201cAugust Sander.\u201d Wikipedia<\/em>, Wikimedia Foundation, 19 Apr. 2020, en.wikipedia.org\/wiki\/August_Sander. Accessed 6 June 2020.<\/li><\/ul>\n\n\n\n

      \u200c<\/p>\n","protected":false},"excerpt":{"rendered":"

      August Sander – People of the 20th Century<\/p>\n","protected":false},"author":3,"featured_media":252,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[57,52,31,53],"tags":[86],"class_list":["post-220","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-coursework","category-learning-log","category-project-2-typologies","category-research","tag-august-sander"],"jetpack_featured_media_url":"https:\/\/debraflynnphotography.co.uk\/OCA\/identityandplace\/wp-content\/uploads\/sites\/4\/2020\/06\/August-Sander.jpg","_links":{"self":[{"href":"https:\/\/debraflynnphotography.co.uk\/OCA\/identityandplace\/wp-json\/wp\/v2\/posts\/220","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/debraflynnphotography.co.uk\/OCA\/identityandplace\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/debraflynnphotography.co.uk\/OCA\/identityandplace\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/debraflynnphotography.co.uk\/OCA\/identityandplace\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/debraflynnphotography.co.uk\/OCA\/identityandplace\/wp-json\/wp\/v2\/comments?post=220"}],"version-history":[{"count":9,"href":"https:\/\/debraflynnphotography.co.uk\/OCA\/identityandplace\/wp-json\/wp\/v2\/posts\/220\/revisions"}],"predecessor-version":[{"id":259,"href":"https:\/\/debraflynnphotography.co.uk\/OCA\/identityandplace\/wp-json\/wp\/v2\/posts\/220\/revisions\/259"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/debraflynnphotography.co.uk\/OCA\/identityandplace\/wp-json\/wp\/v2\/media\/252"}],"wp:attachment":[{"href":"https:\/\/debraflynnphotography.co.uk\/OCA\/identityandplace\/wp-json\/wp\/v2\/media?parent=220"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/debraflynnphotography.co.uk\/OCA\/identityandplace\/wp-json\/wp\/v2\/categories?post=220"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/debraflynnphotography.co.uk\/OCA\/identityandplace\/wp-json\/wp\/v2\/tags?post=220"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}