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<\/figure><\/div>\n\n\n\nThe first passages is in Chapter 3 – The meaning of Photographs:<\/h2>\n\n\n\n
Photography and Psychoanalysis: The unconscious, Fetishism and the Uncanny [P45]
This passage focuses on \u2018mental context\u2019 i.e. \u201cthe mind of the viewer as interpreter of photographs\u201d. The author talks about this should be taken into account when creating photographs, but points out that this is very difficult as each person has different experiences.
Sigmund Freud, however argued that people share some common experienced, desires and anxieties, such as joy, fear, angler etc. \u00a0Thinking back to my Social Science course many years ago. I would say that this also depends greatly on the culture in which they were brought up. \u00a0Freud\u2019s psychoanalysis central idea is that of the three states on consciousness, conscious, pre-conscious and unconscious. \u00a0In relation to the unconscious, Freud agued that people repress some desires and anxieties, mostly due to social constraints and feel that they should not be expressed, discussed or acted upon.
Relating this back to Assignment 2 and the point I think Les was making, is that the images I created from my mind in an attempt to photograph the unseen are in fact unconscious reactions to the stimuli. \u00a0I was aware of this but what I think is more interesting is the fact that the images were so like \u2018stock photos\u2019. \u00a0What does that say about what is in my subconscious?<\/p>\n\n\n\n
The second passage is in Chapter 4 – Photography for Sale:<\/h2>\n\n\n\n
From Selling Products to creating atmospheres: advertising photography and image banks.
This section focuses on how our ideas of what is desireable has been shaped by advertising and the use of \u2018stock\u2019 images to portray \u2018consumer happiness\u2019. Christina Kotchemidova suggests that \u2018the indexicality of the photograph\u2019 helps create \u2018 real fantasies\u2019 and advertisers use this to consistently reinforce the message of what life should be like, that we subconsciously desire this, but as it bears no resemblance to our realities we repress them as unconscious desires.
Is this what I have created in my images? Certainly not consciously, but it does make me question them. \u00a0The fact that I have used substitutes for myself in the form of a wooden hand and not put myself in the images, even though I am trying to describe my feelings is telling me something, about myself. \u00a0<\/p>\n\n\n\n
Image 7 is probably the most \u2018stock\u2019 image. \u00a0It certainly isn\u2019t (or wasn\u2019t) my reality as I in order to create this image, I bought all of the crockery new and the cereal which I don\u2019t eat! \u00a0In my head this is what breakfast on a sunny morning should look like! \u00a0Actually I really love this image, because it fulfills my vision (perhaps this vision has been fed to me, by advertising I don\u2019t know. \u00a0<\/p>\n\n\n\n
![\"\"](\"http:\/\/debraflynnphotography.co.uk\/OCA\/can-blog\/wp-content\/uploads\/sites\/3\/2019\/04\/Item-7-198x300.jpg\")
<\/figure>Item 7 \u2013 Stan\u2019s Object<\/p>\n\n\n\n
I was given a bowl and was told the \u2018object\u2019 was within it. There were multiple objects, which were light, sticky and round. I ran it through my fingers many times and imagined a sunny morning breakfast.<\/p>\n<\/div><\/div>\n\n\n\n
My reflection is that in creating images I do need to make a decision about what I am trying to say, is it real fantasy or an attempt at honest portrayal of the facts, or indeed like my first assignment, somewhere in the middle? <\/p>\n\n\n\n
\n\nBull S., 2010, Photography<\/em>, Rutledge, New York\n\n<\/p>\n","protected":false},"excerpt":{"rendered":" Recommended by tutor to read P45, 67-70. The first passages is in Chapter 3 – The meaning of Photographs: Photography and Psychoanalysis: The unconscious, Fetishism and the Uncanny [P45]This passage focuses on \u2018mental context\u2019 i.e. \u201cthe mind of the viewer as interpreter of photographs\u201d. The author talks about this should be taken into account when … <\/p>\n