{"id":119,"date":"2018-10-13T14:26:52","date_gmt":"2018-10-13T13:26:52","guid":{"rendered":"http:\/\/debraflynnphotography.co.uk\/OCA\/can-blog\/?page_id=119"},"modified":"2018-11-18T15:26:19","modified_gmt":"2018-11-18T15:26:19","slug":"research-list","status":"publish","type":"page","link":"https:\/\/debraflynnphotography.co.uk\/OCA\/can-blog\/research-list\/","title":{"rendered":"Research List"},"content":{"rendered":"\n<h3 class=\"wp-block-heading\">Introduction<\/h3>\n\n\n\n<ul class=\"wp-block-list\"><li><a href=\"http:\/\/debraflynnphotography.co.uk\/OCA\/can-blog\/2018\/10\/06\/context-and-narrative-introduction\/\">Judith Williamson<\/a>\u00a0<\/li><li><a href=\"http:\/\/debraflynnphotography.co.uk\/OCA\/can-blog\/2018\/10\/06\/context-and-narrative-introduction\/\">Joachim Schmid<\/a><\/li><li><a href=\"http:\/\/debraflynnphotography.co.uk\/OCA\/can-blog\/2018\/10\/06\/context-and-narrative-introduction\/\">Erik Kessels<\/a><\/li><\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">Part 1<\/h3>\n\n\n\n<h4 class=\"wp-block-heading\">Project 1, Eyewitnesses?<\/h4>\n\n\n\n<ul class=\"wp-block-list\"><li><a href=\"http:\/\/debraflynnphotography.co.uk\/OCA\/can-blog\/2018\/10\/18\/dorothea-lange\/\">Dorothea Lange<\/a><\/li><li>Martha Rosler\u2019s 1981 essay \u2018In, Around and Afterthoughts (on documentary photography)\u2019<\/li><li>Lewis Hine (1874 &#8211; 1940)<br\/><\/li><\/ul>\n\n\n\n<h4 class=\"wp-block-heading\">Project 2, Photojournalism<\/h4>\n\n\n\n<ul class=\"wp-block-list\"><li>La Grange, A. (2005) Basic Critical Theory for Photographers. Burlington, MA:\u00a0Focal Press<\/li><li>Martha Rosler<\/li><li>Susan Sontag<\/li><li>Abigail Solomon-Godeau<\/li><\/ul>\n\n\n\n<blockquote style=\"text-align:left\" class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\"><p><strong>Research point<\/strong><br\/>If you\u2019re interested in the critical debates around photojournalism, try and make time to\u00a0find out more about at least one of these critical positions during your work on Part One.\u00a0\u00a0<\/p><p>Here are some questions to start you off:<br\/><\/p><cite><em>(extract from Photography 1 Context and Narrative, page 27)<\/em><\/cite><\/blockquote>\n\n\n\n<ul class=\"wp-block-list\"><li>Do you think Martha Rosler is unfair on socially driven photographers like Lewis\u00a0Hine? Is there a sense in which work like this is exploitative or patronising? Does this\u00a0matter if someone benefits in the long run? Can photography change situations?\u00a0<\/li><li>Do you think images of war are necessary to provoke change?\u00a0\u00a0Do you agree with\u00a0Sontag\u2019s earlier view that horrific images of war numb viewers\u2019 responses? Read your\u00a0\u00a0answer again when you\u2019ve read the next section on aftermath photography and note\u00a0\u00a0whether your view has changed. See also: http:\/\/lightbox.time.com\/2014\/01\/28\/<br\/>when-photographs-of-atrocities-dont-shock\/#1 [accessed 24\/02\/14]<\/li><li>Do you need to be an insider in order to produce a successful documentary project? <\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li>Roger Fenton<\/li><li>David Campany<\/li><li>Joel Meyerowitz<\/li><\/ul>\n\n\n\n<h4 class=\"wp-block-heading\">Project 3 Reportage<\/h4>\n\n\n\n<ul class=\"wp-block-list\"><li>Eugene Atget&#8217;s frontal views of Parisian buildings and their inhabitants<\/li><li>Nan Golding<\/li><li><\/li><\/ul>\n\n\n\n<p><strong>Research point<\/strong><br\/>Do some research into contemporary street photography. Helen Levitt, Joel Meyerowitz,\u00a0Paul Graham, Joel Sternfeld and Martin Parr are some good names to start with, but you\u00a0may be able to find further examples for yourself.<br\/><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>What difference does colour make to a genre that traditionally was predominantly\u00a0black and white?<\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li>Can you spot the shift away from the influence of surrealism (as in Cartier-Bresson\u2019s\u00a0work)?<\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li>How is irony used to comment on British-ness or American values?<\/li><\/ul>\n\n\n\n<h4 class=\"wp-block-heading\">Project 4 The gallery wall &#8211; documentary as art<\/h4>\n\n\n\n<ul class=\"wp-block-list\"><li>MoMA 1967 &#8211; John Szarkowski<\/li><li>Tate Modern, Cruel and Tender, 2003<\/li><li>Tate Modern, Street and Studio (2008)<\/li><\/ul>\n\n\n\n<p><strong>Research point<\/strong><br\/>Look online at <a href=\"http:\/\/debraflynnphotography.co.uk\/OCA\/can-blog\/2018\/10\/28\/paul-seawright-sectarian-murder\/\">Paul Seawright\u2019s<\/a> work, Sectarian Murders.<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>How does this work challenge the boundaries between documentary and art? Listen\u00a0to Paul Seawright talk about his work at: http:\/\/vimeo.com\/76940827 [accessed\u00a024\/02\/14]<\/li><li>What is the core of his argument? Do you agree with him?<\/li><li>If we define a piece of documentary photography as art, does this change its<br\/>meaning? <\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li><a href=\"http:\/\/debraflynnphotography.co.uk\/OCA\/can-blog\/2018\/11\/18\/project-4-exercise\/\">Sarah Pickering<\/a>, <em>Public Order<\/em>, 2004<\/li><li>Alessandra Sanguinetti, <em>The Adventrues of Guille and Belinda and the Enigmatic Meaning of their Dreams<\/em><\/li><\/ul>\n\n\n\n<h4 class=\"wp-block-heading\">Project 5 The manipulated image<\/h4>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Introduction Judith Williamson\u00a0 Joachim Schmid Erik Kessels Part 1 Project 1, Eyewitnesses? Dorothea Lange Martha Rosler\u2019s 1981 essay \u2018In, Around and Afterthoughts (on documentary photography)\u2019 Lewis Hine (1874 &#8211; 1940) Project 2, Photojournalism La Grange, A. (2005) Basic Critical Theory for Photographers. Burlington, MA:\u00a0Focal Press Martha Rosler Susan Sontag Abigail Solomon-Godeau Research pointIf you\u2019re interested &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/debraflynnphotography.co.uk\/OCA\/can-blog\/research-list\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Research List&#8221;<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[32,33],"tags":[44,56,46,40,57,48,47,53,50,38,42,41,51,49,52,54,45,55,43],"class_list":["post-119","page","type-page","status-publish","hentry","category-photographers-and-artists","category-research","tag-abigail-solomon-godeau","tag-allessandra-sanguinetti","tag-david-campany","tag-dorothea-lange","tag-erik-kessels","tag-eugene-atget","tag-joel-meyerowitz","tag-joel-sternfeld","tag-john-szarkowski","tag-judith-williamson","tag-lewis-hine","tag-martha-rosler","tag-martin-parr","tag-nan-golding","tag-paul-graham","tag-paul-seawright","tag-roger-fenton","tag-sarah-pickering","tag-susan-sontag"],"_links":{"self":[{"href":"https:\/\/debraflynnphotography.co.uk\/OCA\/can-blog\/wp-json\/wp\/v2\/pages\/119","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/debraflynnphotography.co.uk\/OCA\/can-blog\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/debraflynnphotography.co.uk\/OCA\/can-blog\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/debraflynnphotography.co.uk\/OCA\/can-blog\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/debraflynnphotography.co.uk\/OCA\/can-blog\/wp-json\/wp\/v2\/comments?post=119"}],"version-history":[{"count":10,"href":"https:\/\/debraflynnphotography.co.uk\/OCA\/can-blog\/wp-json\/wp\/v2\/pages\/119\/revisions"}],"predecessor-version":[{"id":291,"href":"https:\/\/debraflynnphotography.co.uk\/OCA\/can-blog\/wp-json\/wp\/v2\/pages\/119\/revisions\/291"}],"wp:attachment":[{"href":"https:\/\/debraflynnphotography.co.uk\/OCA\/can-blog\/wp-json\/wp\/v2\/media?parent=119"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/debraflynnphotography.co.uk\/OCA\/can-blog\/wp-json\/wp\/v2\/categories?post=119"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/debraflynnphotography.co.uk\/OCA\/can-blog\/wp-json\/wp\/v2\/tags?post=119"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}