{"id":1534,"date":"2018-04-06T13:13:47","date_gmt":"2018-04-06T12:13:47","guid":{"rendered":"http:\/\/debraflynnphotography.co.uk\/EYV-blog\/?p=1534"},"modified":"2018-08-05T16:42:32","modified_gmt":"2018-08-05T15:42:32","slug":"project-3-the-beauty-of-artificial-light-2","status":"publish","type":"post","link":"https:\/\/debraflynnphotography.co.uk\/EYV-blog\/course-work\/project-3-the-beauty-of-artificial-light-2\/","title":{"rendered":"Project 3 – The beauty of artificial light"},"content":{"rendered":"

Photographers review and research<\/h1>\n

Sata Shintaro<\/strong><\/p>\n

Night Lights<\/h2>\n

Sato Shintaro<\/h3>\n

These shots were taken in the streets of Tokyo and Osaka at night from 1997 to 1999, and in them I have avoided the more aesthetically pleasing locations such as seaside areas and the well-known “subcenters” in favor of the everyday disorder of the streets. Take a brightly-lit busy street bustling with people and remove the people: the purpose of the lighting is lost and only the glow remains – providing a glimpse of the streets we know well from a less familiar perspective.<\/p>\n

\"\"

images from Sata Shintaro’s Night Lights collection<\/p><\/div>\n

did he take these images by staying until there were now people, or did he use a long exposure, long enough to eliminate the people?<\/p>\n

Rut Blees Luxemburg<\/p>\n

German photographer takes mostly images of urban landscapes at night.  She is also a lecturer at the royal collage of art.<\/p>\n

\"\" \"\"<\/p>\n

https:\/\/www.theguardian.com\/society\/gallery\/2009\/mar\/09\/rut-blees-luxemburg-photography<\/a><\/p>\n

she uses long exposure, using only ambient light.  Many of her images have a very orangy\/red or green hue.<\/p>\n

I came across an explanation about the colour of light during a Phlearn Tutorial on editing a film noire style image. He explained that most flashes and lights are set to mimic ‘white light’ or the light that we would typically get at midday.  This tends to have a bluish tint because the this the time when the radio waves combine the most and humans see this as white.<\/p>\n

At the ends of the day, the light turns more yellow, orange and red. therefore many photographers use CTO (colour temperature orange) gels to recreate an night-time feel to photos.<\/p>\n

\"\" <\/p>\n

http:\/\/www.westinghouselighting.com\/color-temperature.aspx<\/a><\/p>\n

this web page explains how you can use this scale to create the look and feel you want.<\/p>\n

having now found this, I can compare with images I took for exercise 4.2<\/a> and notice that the later images definitely have a bluer tint as the light fades.<\/p>\n","protected":false},"excerpt":{"rendered":"

Photographers review and research Sata Shintaro Night Lights Sato Shintaro These shots were taken in the streets of Tokyo and Osaka at night from 1997 to 1999, and in them I have avoided the more aesthetically pleasing locations such as … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4,8,32,22,24],"tags":[],"class_list":["post-1534","post","type-post","status-publish","format-standard","hentry","category-course-work","category-part-4-the-language-of-light","category-photographers-artists","category-project-3-the-beauty-of-artificial-light","category-research-and-reflection"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9tN7f-oK","jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":1528,"url":"https:\/\/debraflynnphotography.co.uk\/EYV-blog\/course-work\/project-3-the-beauty-of-artificial-light\/","url_meta":{"origin":1534,"position":0},"title":"Project 3 The beauty of artificial light","author":"Debra Flynn","date":"1st April 2018","format":false,"excerpt":"Review of Photographers using artificial light: Christopher Doyle https:\/\/www.youtube.com\/watch?v=_MhP1PekkFo This video shows the evocative lighting that Christoper Doyle uses to light his characters. Alot of the scenes are dark and are shot looking through something, often completely black on the edges with bright almost primary colours lighting the subjects.\u00a0 He\u2026","rel":"","context":"In "Course Work"","block_context":{"text":"Course Work","link":"https:\/\/debraflynnphotography.co.uk\/EYV-blog\/category\/course-work\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/debraflynnphotography.co.uk\/EYV-blog\/wp-content\/uploads\/2018\/04\/dont-look-now-1.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/debraflynnphotography.co.uk\/EYV-blog\/wp-content\/uploads\/2018\/04\/dont-look-now-1.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/debraflynnphotography.co.uk\/EYV-blog\/wp-content\/uploads\/2018\/04\/dont-look-now-1.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/debraflynnphotography.co.uk\/EYV-blog\/wp-content\/uploads\/2018\/04\/dont-look-now-1.jpg?resize=700%2C400 2x"},"classes":[]},{"id":1526,"url":"https:\/\/debraflynnphotography.co.uk\/EYV-blog\/course-work\/4-3-the-beauty-of-artificial-light\/","url_meta":{"origin":1534,"position":1},"title":"4.3 – The Beauty of Artificial Light","author":"Debra Flynn","date":"6th April 2018","format":false,"excerpt":"Exercise 4.3 Capture \u2018the beauty of artificial light\u2019 in a short sequence of shots (\u2018beauty\u2019 is, of course, a subjective term). The correct white balance setting will be important; this can get tricky \u2013but interesting \u2013 if there are mixed light sources of different colour temperatures in the same shot.\u2026","rel":"","context":"In "Contact sheet"","block_context":{"text":"Contact sheet","link":"https:\/\/debraflynnphotography.co.uk\/EYV-blog\/category\/contact-sheet\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/debraflynnphotography.co.uk\/EYV-blog\/wp-content\/uploads\/2018\/04\/DJF7220.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/debraflynnphotography.co.uk\/EYV-blog\/wp-content\/uploads\/2018\/04\/DJF7220.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/debraflynnphotography.co.uk\/EYV-blog\/wp-content\/uploads\/2018\/04\/DJF7220.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/debraflynnphotography.co.uk\/EYV-blog\/wp-content\/uploads\/2018\/04\/DJF7220.jpg?resize=700%2C400 2x, https:\/\/i0.wp.com\/debraflynnphotography.co.uk\/EYV-blog\/wp-content\/uploads\/2018\/04\/DJF7220.jpg?resize=1050%2C600 3x, https:\/\/i0.wp.com\/debraflynnphotography.co.uk\/EYV-blog\/wp-content\/uploads\/2018\/04\/DJF7220.jpg?resize=1400%2C800 4x"},"classes":[]},{"id":881,"url":"https:\/\/debraflynnphotography.co.uk\/EYV-blog\/course-work\/part-2-imaginative-spaces\/project-2-lens-work\/","url_meta":{"origin":1534,"position":2},"title":"Project 2 – Lens Work","author":"Debra Flynn","date":"7th December 2017","format":false,"excerpt":"Research - Photographers and Artists Ansel Adams (1901-1984): Famous for black and white wilderness photos, and membership of\u00a0club f64,\u00a0the name of the group is taken from the smallest setting of a large-format camera diaphragm\u00a0aperture\u00a0that gives particularly good resolution and depth of field. The group believed in the \u201cinnate honesty\u201d of\u2026","rel":"","context":"In "Part 2: Imaginative spaces"","block_context":{"text":"Part 2: Imaginative spaces","link":"https:\/\/debraflynnphotography.co.uk\/EYV-blog\/category\/course-work\/part-2-imaginative-spaces\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/debraflynnphotography.co.uk\/EYV-blog\/wp-content\/uploads\/2017\/12\/921fe96fea17da339d0a31303635820e-fay-godwin-writing-images.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/debraflynnphotography.co.uk\/EYV-blog\/wp-content\/uploads\/2017\/12\/921fe96fea17da339d0a31303635820e-fay-godwin-writing-images.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/debraflynnphotography.co.uk\/EYV-blog\/wp-content\/uploads\/2017\/12\/921fe96fea17da339d0a31303635820e-fay-godwin-writing-images.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":1444,"url":"https:\/\/debraflynnphotography.co.uk\/EYV-blog\/research-and-reflection\/martin-dietrich\/","url_meta":{"origin":1534,"position":3},"title":"Martin Dietrich","author":"Debra Flynn","date":"26th January 2018","format":false,"excerpt":"Martin Dietrich is a German photographer living and working in Frankfurt He says of himself: My work is mostly of a certain abstract, minimalistic and geometrical nature including strong leading lines and shapes.\u00a0To a large part my work incorporates urban themes such as architecture and street photography.\u00a0Nevertheless you'll also find\u2026","rel":"","context":"In "Assignment 3: The decisive moment"","block_context":{"text":"Assignment 3: The decisive moment","link":"https:\/\/debraflynnphotography.co.uk\/EYV-blog\/category\/assignments\/assignment-3-the-decisive-moment\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/debraflynnphotography.co.uk\/EYV-blog\/wp-content\/uploads\/2018\/01\/6_MartinDietrich.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/debraflynnphotography.co.uk\/EYV-blog\/wp-content\/uploads\/2018\/01\/6_MartinDietrich.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/debraflynnphotography.co.uk\/EYV-blog\/wp-content\/uploads\/2018\/01\/6_MartinDietrich.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/debraflynnphotography.co.uk\/EYV-blog\/wp-content\/uploads\/2018\/01\/6_MartinDietrich.jpg?resize=700%2C400 2x"},"classes":[]},{"id":1198,"url":"https:\/\/debraflynnphotography.co.uk\/EYV-blog\/course-work\/part-3-traces-of-time\/project-3-what-matters-is-to-look\/project-3-what-matters-is-to-look-research-point\/","url_meta":{"origin":1534,"position":4},"title":"Project 3 ‘What matters is to look’ – research point","author":"Debra Flynn","date":"31st January 2018","format":false,"excerpt":"What Matters is to look This image by Henri Carier-Bresson is described as 'one of the most iconic photographs of the twentieth century'. Personally I've never seen it before. As part of my research into Henri Cartier-Bresson, I watched \u2018L\u2019amour tout court\u2019 on Vimeo at https:\/\/vimeo.com\/106009378 (accessed\u00a010\/01\/2018). The film is\u2026","rel":"","context":"In "Assignment 3: The decisive moment"","block_context":{"text":"Assignment 3: The decisive moment","link":"https:\/\/debraflynnphotography.co.uk\/EYV-blog\/category\/assignments\/assignment-3-the-decisive-moment\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/debraflynnphotography.co.uk\/EYV-blog\/wp-content\/uploads\/2018\/01\/40953137.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/debraflynnphotography.co.uk\/EYV-blog\/wp-content\/uploads\/2018\/01\/40953137.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/debraflynnphotography.co.uk\/EYV-blog\/wp-content\/uploads\/2018\/01\/40953137.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/debraflynnphotography.co.uk\/EYV-blog\/wp-content\/uploads\/2018\/01\/40953137.jpg?resize=700%2C400 2x, https:\/\/i0.wp.com\/debraflynnphotography.co.uk\/EYV-blog\/wp-content\/uploads\/2018\/01\/40953137.jpg?resize=1050%2C600 3x, https:\/\/i0.wp.com\/debraflynnphotography.co.uk\/EYV-blog\/wp-content\/uploads\/2018\/01\/40953137.jpg?resize=1400%2C800 4x"},"classes":[]},{"id":1504,"url":"https:\/\/debraflynnphotography.co.uk\/EYV-blog\/course-work\/project-2-layered-complex-and-mysterious\/","url_meta":{"origin":1534,"position":5},"title":"Project 2 – \u2018Layered, complex and mysterious\u2026\u2019","author":"Debra Flynn","date":"26th March 2018","format":false,"excerpt":"Photographers reviewed: \u00a0 www.prixpictet.com\/portfolios\/consumption-shortlist\/michael-schmidt\/ [accessed 24.03.18] Michael Schmidt's project - Lebensmittel (Foods) -\u00a0 The images on their own didn't make much sense until I translated the title which is 'Foods'.\u00a0 It is a series of 10 images which have a connection to the food we eat.\u00a0 the majority of the\u2026","rel":"","context":"In "Course Work"","block_context":{"text":"Course Work","link":"https:\/\/debraflynnphotography.co.uk\/EYV-blog\/category\/course-work\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/debraflynnphotography.co.uk\/EYV-blog\/wp-content\/uploads\/2018\/03\/PrixPictetMichaelSchmidt1.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/debraflynnphotography.co.uk\/EYV-blog\/wp-content\/uploads\/2018\/03\/PrixPictetMichaelSchmidt1.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/debraflynnphotography.co.uk\/EYV-blog\/wp-content\/uploads\/2018\/03\/PrixPictetMichaelSchmidt1.jpg?resize=525%2C300 1.5x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/debraflynnphotography.co.uk\/EYV-blog\/wp-json\/wp\/v2\/posts\/1534","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/debraflynnphotography.co.uk\/EYV-blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/debraflynnphotography.co.uk\/EYV-blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/debraflynnphotography.co.uk\/EYV-blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/debraflynnphotography.co.uk\/EYV-blog\/wp-json\/wp\/v2\/comments?post=1534"}],"version-history":[{"count":8,"href":"https:\/\/debraflynnphotography.co.uk\/EYV-blog\/wp-json\/wp\/v2\/posts\/1534\/revisions"}],"predecessor-version":[{"id":1548,"href":"https:\/\/debraflynnphotography.co.uk\/EYV-blog\/wp-json\/wp\/v2\/posts\/1534\/revisions\/1548"}],"wp:attachment":[{"href":"https:\/\/debraflynnphotography.co.uk\/EYV-blog\/wp-json\/wp\/v2\/media?parent=1534"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/debraflynnphotography.co.uk\/EYV-blog\/wp-json\/wp\/v2\/categories?post=1534"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/debraflynnphotography.co.uk\/EYV-blog\/wp-json\/wp\/v2\/tags?post=1534"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}