{"id":1506,"date":"2018-03-19T20:21:31","date_gmt":"2018-03-19T20:21:31","guid":{"rendered":"http:\/\/debraflynnphotography.co.uk\/EYV-blog\/?p=1506"},"modified":"2018-08-05T16:42:59","modified_gmt":"2018-08-05T15:42:59","slug":"4-2-layered-complex-and-mysterious","status":"publish","type":"post","link":"https:\/\/debraflynnphotography.co.uk\/EYV-blog\/course-work\/4-2-layered-complex-and-mysterious\/","title":{"rendered":"4.2 – Layered, complex and mysterious . . ."},"content":{"rendered":"

Exercise 4.2
\nIn manual mode take a sequence of shots of a subject of your choosing at different
\ntimes on a single day. It doesn\u2019t matter if the day is overcast or clear but you need
\na good spread of times from early morning to dusk. You might decide to fix your
\nviewpoint or you might prefer to \u2018work into\u2019 your subject, but the important thing is
\nto observe the light, not just photograph it. Add the sequence to your learning log
\ntogether with a timestamp from the time\/date info in the metadata. In your own
\nwords, briefly describe the quality of light in each image.<\/p>\n

\"\"

Following light 19.3.2018<\/p><\/div>\n

These images were all taken on the same day at about hourly intervals.  The camera was set up with a remote trigger so that all images should be the same.  The only adjustment made for each image was the shutter speed, which was altered to maintain optimum exposure. All images are SOOC.<\/p>\n

The light was very diffused throughout the day, and there doesn’t appear to be much in the way of shadows or contrast.  <\/p>\n","protected":false},"excerpt":{"rendered":"

Exercise 4.2 In manual mode take a sequence of shots of a subject of your choosing at different times on a single day. It doesn\u2019t matter if the day is overcast or clear but you need a good spread of … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4,15],"tags":[],"class_list":["post-1506","post","type-post","status-publish","format-standard","hentry","category-course-work","category-project-2-layered-complex-and-mysterious"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9tN7f-oi","jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":1496,"url":"https:\/\/debraflynnphotography.co.uk\/EYV-blog\/course-work\/part-4-the-language-of-light\/","url_meta":{"origin":1506,"position":0},"title":"Part 4 – The Language of Light","author":"Debra Flynn","date":"18th March 2018","format":false,"excerpt":"Making\u00a0 a start: This Part is going to focus on manual mode and how changing exposure can change the look and feel of your image. One of the exercises from 4.2, 4.3 or 4.4 will need to be expanded to fill the assignment brief at the end of the section,\u2026","rel":"","context":"In "Course Work"","block_context":{"text":"Course Work","link":"https:\/\/debraflynnphotography.co.uk\/EYV-blog\/category\/course-work\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1504,"url":"https:\/\/debraflynnphotography.co.uk\/EYV-blog\/course-work\/project-2-layered-complex-and-mysterious\/","url_meta":{"origin":1506,"position":1},"title":"Project 2 – \u2018Layered, complex and mysterious\u2026\u2019","author":"Debra Flynn","date":"26th March 2018","format":false,"excerpt":"Photographers reviewed: \u00a0 www.prixpictet.com\/portfolios\/consumption-shortlist\/michael-schmidt\/ [accessed 24.03.18] Michael Schmidt's project - Lebensmittel (Foods) -\u00a0 The images on their own didn't make much sense until I translated the title which is 'Foods'.\u00a0 It is a series of 10 images which have a connection to the food we eat.\u00a0 the majority of the\u2026","rel":"","context":"In "Course Work"","block_context":{"text":"Course Work","link":"https:\/\/debraflynnphotography.co.uk\/EYV-blog\/category\/course-work\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/debraflynnphotography.co.uk\/EYV-blog\/wp-content\/uploads\/2018\/03\/PrixPictetMichaelSchmidt1.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/debraflynnphotography.co.uk\/EYV-blog\/wp-content\/uploads\/2018\/03\/PrixPictetMichaelSchmidt1.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/debraflynnphotography.co.uk\/EYV-blog\/wp-content\/uploads\/2018\/03\/PrixPictetMichaelSchmidt1.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":1526,"url":"https:\/\/debraflynnphotography.co.uk\/EYV-blog\/course-work\/4-3-the-beauty-of-artificial-light\/","url_meta":{"origin":1506,"position":2},"title":"4.3 – The Beauty of Artificial Light","author":"Debra Flynn","date":"6th April 2018","format":false,"excerpt":"Exercise 4.3 Capture \u2018the beauty of artificial light\u2019 in a short sequence of shots (\u2018beauty\u2019 is, of course, a subjective term). The correct white balance setting will be important; this can get tricky \u2013but interesting \u2013 if there are mixed light sources of different colour temperatures in the same shot.\u2026","rel":"","context":"In "Contact sheet"","block_context":{"text":"Contact sheet","link":"https:\/\/debraflynnphotography.co.uk\/EYV-blog\/category\/contact-sheet\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/debraflynnphotography.co.uk\/EYV-blog\/wp-content\/uploads\/2018\/04\/DJF7220.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/debraflynnphotography.co.uk\/EYV-blog\/wp-content\/uploads\/2018\/04\/DJF7220.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/debraflynnphotography.co.uk\/EYV-blog\/wp-content\/uploads\/2018\/04\/DJF7220.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/debraflynnphotography.co.uk\/EYV-blog\/wp-content\/uploads\/2018\/04\/DJF7220.jpg?resize=700%2C400 2x, https:\/\/i0.wp.com\/debraflynnphotography.co.uk\/EYV-blog\/wp-content\/uploads\/2018\/04\/DJF7220.jpg?resize=1050%2C600 3x, https:\/\/i0.wp.com\/debraflynnphotography.co.uk\/EYV-blog\/wp-content\/uploads\/2018\/04\/DJF7220.jpg?resize=1400%2C800 4x"},"classes":[]},{"id":1567,"url":"https:\/\/debraflynnphotography.co.uk\/EYV-blog\/course-work\/4-4-ex-nihilo\/","url_meta":{"origin":1506,"position":3},"title":"4.4 – Ex Nihilo","author":"Debra Flynn","date":"15th April 2018","format":false,"excerpt":"Exercise 4.4\u00a0Use a combination of quality, contrast, direction and colour to light an object in order to reveal its form. For this exercise we recommend that you choose a natural or organic object such as an egg, stone, vegetable or plant, or the human face or body, rather than a\u2026","rel":"","context":"In "Course Work"","block_context":{"text":"Course Work","link":"https:\/\/debraflynnphotography.co.uk\/EYV-blog\/category\/course-work\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/debraflynnphotography.co.uk\/EYV-blog\/wp-content\/uploads\/2018\/04\/contacts-1.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/debraflynnphotography.co.uk\/EYV-blog\/wp-content\/uploads\/2018\/04\/contacts-1.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/debraflynnphotography.co.uk\/EYV-blog\/wp-content\/uploads\/2018\/04\/contacts-1.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/debraflynnphotography.co.uk\/EYV-blog\/wp-content\/uploads\/2018\/04\/contacts-1.jpg?resize=700%2C400 2x, https:\/\/i0.wp.com\/debraflynnphotography.co.uk\/EYV-blog\/wp-content\/uploads\/2018\/04\/contacts-1.jpg?resize=1050%2C600 3x, https:\/\/i0.wp.com\/debraflynnphotography.co.uk\/EYV-blog\/wp-content\/uploads\/2018\/04\/contacts-1.jpg?resize=1400%2C800 4x"},"classes":[]},{"id":1534,"url":"https:\/\/debraflynnphotography.co.uk\/EYV-blog\/course-work\/project-3-the-beauty-of-artificial-light-2\/","url_meta":{"origin":1506,"position":4},"title":"Project 3 – The beauty of artificial light","author":"Debra Flynn","date":"6th April 2018","format":false,"excerpt":"Photographers review and research Sata Shintaro Night Lights Sato Shintaro These shots were taken in the streets of Tokyo and Osaka at night from 1997 to 1999, and in them I have avoided the more aesthetically pleasing locations such as seaside areas and the well-known \"subcenters\" in favor of the\u2026","rel":"","context":"In "Course Work"","block_context":{"text":"Course Work","link":"https:\/\/debraflynnphotography.co.uk\/EYV-blog\/category\/course-work\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/debraflynnphotography.co.uk\/EYV-blog\/wp-content\/uploads\/2018\/04\/2017-07-23_13-33-14.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/debraflynnphotography.co.uk\/EYV-blog\/wp-content\/uploads\/2018\/04\/2017-07-23_13-33-14.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/debraflynnphotography.co.uk\/EYV-blog\/wp-content\/uploads\/2018\/04\/2017-07-23_13-33-14.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":1657,"url":"https:\/\/debraflynnphotography.co.uk\/EYV-blog\/course-work\/part-5-viewpoint\/part-5-5-1-place-holder\/","url_meta":{"origin":1506,"position":5},"title":"Part 5 – 5.1 – Place holder","author":"Debra Flynn","date":"10th June 2018","format":false,"excerpt":"Exercise 5.1 Use your camera as a measuring device. This doesn\u2019t refer to the distance scale on the focus ring(!). Rather, find a subject that you have an empathy with and take a sequence of shots to \u2018explore the distance between you\u2019. Add the sequence to your learning log, indicating\u2026","rel":"","context":"In "Part 5: Viewpoint"","block_context":{"text":"Part 5: Viewpoint","link":"https:\/\/debraflynnphotography.co.uk\/EYV-blog\/category\/course-work\/part-5-viewpoint\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/debraflynnphotography.co.uk\/EYV-blog\/wp-json\/wp\/v2\/posts\/1506","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/debraflynnphotography.co.uk\/EYV-blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/debraflynnphotography.co.uk\/EYV-blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/debraflynnphotography.co.uk\/EYV-blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/debraflynnphotography.co.uk\/EYV-blog\/wp-json\/wp\/v2\/comments?post=1506"}],"version-history":[{"count":3,"href":"https:\/\/debraflynnphotography.co.uk\/EYV-blog\/wp-json\/wp\/v2\/posts\/1506\/revisions"}],"predecessor-version":[{"id":1510,"href":"https:\/\/debraflynnphotography.co.uk\/EYV-blog\/wp-json\/wp\/v2\/posts\/1506\/revisions\/1510"}],"wp:attachment":[{"href":"https:\/\/debraflynnphotography.co.uk\/EYV-blog\/wp-json\/wp\/v2\/media?parent=1506"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/debraflynnphotography.co.uk\/EYV-blog\/wp-json\/wp\/v2\/categories?post=1506"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/debraflynnphotography.co.uk\/EYV-blog\/wp-json\/wp\/v2\/tags?post=1506"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}