{"id":1250,"date":"2018-01-04T19:43:17","date_gmt":"2018-01-04T19:43:17","guid":{"rendered":"http:\/\/debraflynnphotography.co.uk\/EYV-blog\/?p=1250"},"modified":"2018-08-05T16:47:58","modified_gmt":"2018-08-05T15:47:58","slug":"part-3-project-2-a-durational-space","status":"publish","type":"post","link":"https:\/\/debraflynnphotography.co.uk\/EYV-blog\/course-work\/part-3-project-2-a-durational-space\/","title":{"rendered":"Part 3 – Project 2 – A durational space"},"content":{"rendered":"

Long Exposures:<\/strong><\/p>\n

Photographer Michael Wesely<\/strong><\/a> has taken some really long  exposure images, <\/p>\n

See: http:\/\/itchyi.squarespace.com\/thelatest\/2010\/7\/20\/the-longest-photographic-<\/a>
\nexposures-in-history.html [accessed 25\/09\/14])
\nwww.wesely.org<\/p>\n

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The Museum of Modern Art, New York, 2001\u20132004. Michael Wesely<\/p><\/div>\n

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The Museum of Modern Art, New York, 2001\u20132004. Michael Wesely<\/p><\/div>\n

I really enjoy these images and they obviously take a lot of patience. There is a ghostly quality to them, which gives a glimpse of how the space has changed over time, really like this.<\/p>\n

Hiroshi Sugimoto<\/p>\n

watched video about this artist: but to be honest was left a little underwhelmed by his results, I don’t really get why you’d want to take an image of a white screen and with the lack of motion in the rest of image, it could just have been a photo taken of a white screen in an empty theater.<\/p>\n